Sunday 23 May 2010

CARRIED AWAY TO ABU DHABI

In a period when the western critics and bashers have been having a ball at our expense, should we be relieved or concerned that our capital is making an appearance in cinemas all over the world this May 27th?


The trailer to the much-anticipated sequel of Sex and the City has dropped and the girls’ next adventure unfolds in no other place but our capital Abu Dhabi. The trailer shows Carrie and the gang whisked away from New York City for an all-expenses paid week in Abu Dhabi. It shows the girls riding camels, lazing on the poolside of extravagance and hitting the nightclubs that are apparently full of belly dancers. Your typical Edward Said notion of Orientalism, only dressed in designer from head to toe. 


The movie was initially set to be filmed in Dubai yet the authorities refused to give filming clearance. The grapevine has it that clearance was to be granted if the movie’s name was changed to Love and the City but that offer was obviously not accepted. The movie was finally shot in Morocco, but the destination in the film remained our capital Abu Dhabi. 

The media is finding it ironic that Sex and The City 2, just like its prequel, might not even be screened in the Emirates. But the refusal of filming in the country and the absence of the movie in our theatres are both attempts from the UAE to control and maintain brand Emirates. In a period when the western critics and bashers have been having a ball at our expense, should we be relieved or concerned that our capital is making an appearance in cinemas all over the world this May 27th?

The local reactions are mixed. Some people are welcoming what they view as a pleasant and fun image of the country that has been suppressed with all the negative media about the financial situation and the latest tragedy of Hamas commander Mahmoud al-Mabhouh’s assassination. 
Others are concerned with the hidden message that the movie might be sending. After all, the trailer invites the world to “discover how much fun forbidden can be.” The portrayal of Abu Dhabi as a playground for the rich, where everything and anything goes, is far detached from reality. Yes, our capital is a decadent city that boasts many luxuries and splendour but it is also where all our culture and traditions are embedded. It is Zayed’s city, where extravagance and subtle conservatism are the essence of its beauty and pride.

Many Arab and African countries have been featured in Western movies in the past. The most famous of which Lawrence of Arabia, starring Peter O’Toole and Omar Sharif, was shot in Jordan and Morocco. And the latest depiction of the war in Iraq, conceptualised by Kathryn Bigelow, in her Oscar winning movie The Hurt Locker was also shot in Jordan. 

If there are any concerns or objections, they do not exist out of mere refusal of filming a movie or using the country’s name, they do not come from ignorance but spur from the logic and political realisation that such associations should be monitored and selected according to what the country deems to be an appropriate representation. 

The United Arab Emirates is known around the world for its patronage of the arts, embracing the art world in all its forms. Abu Dhabi is creating an unprecedented step towards realising the dream of bringing the arts even closer to its people by building goliath art museums such as the Louvre and the Guggenheim. Both the Abu Dhabi and Dubai international film festivals continue to thrive with worldwide works being selected and viewed every year. Culture is alive and well in the UAE.

In certain interviews that touch upon the subject we find the cast of the movie explaining that whatever may have been said about the culture is all in good humour and that it is simply an attempt to remain true to the characters. Yet the concern is neither about the characters nor the movie. Many of us in this region are quite familiar with what Samantha’s character would do and Miranda’s would say regardless of the setting, for the TV show, the movies are based on, aired in its entirety on certain Arab TV networks. The concern comes from the distorted and highly exaggerated impression the movie will give about the country.

Quite how far the movie has gone with its representation of Abu Dhabi will only be known on May 27th. Until then, we are left with an image of Charlotte’s little girl asking, “is it like Jasmine and Aladdin”? and Carrie sheepishly answering: “Yes sweetie, but with cocktails.”


This article was published in The Gulf Today newspaper on 23rd of May, 2010.

Monday 10 May 2010

AL KHALEEJ, AN UNDYING PROMISE

Every scholar, every writer and every reader has said all that is to be said about the institution that is Dar Al Khaleej publishing house. They spoke of its unbiased journalistic commitment, they marvelled at its unwavering, unapologetic position on Arab unity free from all political agendas. They praised its exclusive coverage of the news and its endless army of forward-thinking, visionary contributors. And acknowledged that throughout these 40 years and with all the struggles in the Arab region, Al Khaleej’s name remained at the forefront and on the frontlines of the media wars. Fighting in the name of all Arab rights regardless of country, politics or religion. In the face of all opposition it never stuttered, never lost its voice.

But that is what they had to say. What I have to say about Al Khaleej is less concerned with history and politics and more concerned with the personal element of Al Khaleej.
 Allow me to speak about the Al Khaleej family and not the institution. Throughout my life, and for as long as I can remember, I have lived among the voices of Al Khaleej, schooled by their ethics and liberalism and driven by their passion.

During these 40 years, sailing the treacherous waters of both local and international political turmoil, Al Khaleej the institution lost its captain, and Al Khaleej the family, its father. Taryam Omran Taryam passed away on the 16th of May, 2002. It was indeed the biggest and hardest blow to the heart and mind, to the soul of Al Khaleej. It was an almost impossible struggle for his brother and best friend to carry on sailing through his inconceivable grief. Yet he did, if only to keep Taryam Omran alive through the perseverance of his work and the perpetuation of his legacy.

And so on Al Khaleej’s 40th birthday, our hearts and minds cannot help but be consumed with the man, our captain, my uncle, for without his vision we would not be here today. We miss you everyday. May your soul rest in peace and your voice continue to echo through your Al Khaleej.

Al Khaleej is all that has been mentioned, but Al Khaleej to me is much more than that. It is my uncle, it is my father, it is a legacy that fills me with pride. It is a story of brotherhood and an undying promise. 

This piece was published on the 10th of May, 2010 in The Gulf Today in celebration of Dar Al Khaleej publishing house's 40th anniversary.

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